comedy
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Lessons from the Wasteland: Early Animation
Welcome to class! Each film on this curated watchlist will highlight either a filmmaker, sub-genre, filmmaking technique, or significant topic in order to broaden your cinematic horizons. Continue reading
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“Wake Up Dead Man” Keeps the Knives Sharp (Review)
I would be perfectly excited if Rian Johnson made a new “Knives Out” movie every few years for as long as he wants to. Continue reading
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In “Eternity,” Love Never Dies…It Just Gets Complicated (Review)
Pitting Larry and Luke against each other with their lived experiences is the kind of romantic rivalry you just can’t see anywhere else. Continue reading
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“Rental Family” Finds the Truth in Human Relationships (Review)
There are things with which we all need help, or moments where we just need somebody to be there. Continue reading
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“Is This Thing On?” is Bradley Cooper’s Midlife Mic Check (Review)
“Is This Thing On?” lies somewhere on the spectrum between Judd Apatow and Noah Baumbach as Cooper toes the line between quirky familial drama and genuine laughs. Continue reading
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Paul Thomas Anderson’s Latest is One Banger After Another (Review)
It’s rare to sit down for a movie and realize in real time that you’re watching a masterpiece. You can see the future, and that what you’re witnessing is going to be cherished and discussed for many decades to come.… Continue reading
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“Eddington” is Something Different for Ari Aster (Review)
Alienation is inevitable in the works of Mr. Aster, whose polarizing subjects are, this time, holding an uncomfortable mirror up to an audience that is undoubtedly unsure of what to expect from his latest venture. Continue reading
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“Superman” is Ambitious, but Delightfully Authentic (Review)
There was only one place to start for a brand-new DC universe, and it was their most powerful and inspiring hero. Continue reading
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“The Life of Chuck” is an Inspiration for All Time (Review)
Like most of Flanagan’s work, it’s highly evocative, but this time of memory rather than fright. Continue reading
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“The Monkey” is a Terrifically Fatalistic Ode to Death Everlasting (Review)
Perkins’ wry personality shines through in this delightfully demented ode to the inescapable fate awaiting us all…after all, as long as we know it’s coming, there’s more than enough time to laugh about it. Continue reading
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“Heart Eyes” Has a Lot to Love (Review)
It doesn’t reinvent the wheel of either genre, but the novel approach to their combination gives a fan of both something new to see. Continue reading
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“Love Hurts,” But It Doesn’t Sting (Review)
“Love Hurts” has a unique earnestness to it, and a confidence that can be off-putting to those not expecting an unapologetically silly movie. Continue reading
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“Companion” is a Darkly Thrilling Genre-Bender (Review)
“Companion” is at its most entertaining when you surrender yourself to the wonderful chaos. Continue reading
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Wallace & Gromit Return with a “Vengeance Most Fowl” (Review)
This new film is the confluence of the best ideas and imagery this series has offered in its 35 years of history, and to bring back one of their most iconic baddies is just icing on the cake. Continue reading
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“Moana 2” Struggles with Structure (Review)
One song every quarter of an hour cements what I already knew (and this is the kicker) – I think this would have made a very good series. Continue reading
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“Red One” is Not Bad…It’s Something Much Worse (Review)
It’s a movie designed to live as a Blu-ray in front of the checkout aisle at Target with a 30% off sticker slapped on the case. Continue reading
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“Anora” is the Fairytale of Your American Dreams (Review)
“Anora” lets us bask in director Sean Baker’s perspective on Americana, its broken dream, and the ever-expanding wealth gap and classism rotting at the country’s core. Continue reading
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Family History is “A Real Pain” (Review)
This should be the poster child for how to approach historical trauma with sensitivity and tact while maintaining a levity that is necessary to escape the ever-present pull of misery. Continue reading
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Live from 1975, it’s “Saturday Night!” (Review)
Complex and controversial history aside, it’s undeniable that SNL changed the landscape of television and entertainment as a whole. This is the perfect time for a movie like this. Continue reading
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Pharrell Williams Takes Us Through his LEGO Life “Piece by Piece” (Review)
The story itself doesn’t matter. It all comes down to how it’s told. Continue reading
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“Omni Loop” Juggles Buddy Comedy, Black Holes, and Existential Regret (Review)
Despite biting off more than it can chew, I could see “Omni Loop” becoming an underground hit. Continue reading
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“Borderlands” Spectacularly Reinforces the Video Game Movie Curse (Review)
“Borderlands” is a neutered-down experience that will disappoint fans, and dull would-be fans that don’t know what they’re missing. Continue reading
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Lessons from the Wasteland: Horror (Part II)
Welcome to class! My full time job is working at a university, and I teach as well. One of my dreams has always been to teach a film class. Taking students through the world of cinema and helping them learn… Continue reading
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“Deadpool & Wolverine” is a Worrisome Reflection of a Risky Future (Review)
Even if you don’t take into account its lack of rewatch value, “Deadpool & Wolverine” will not stand the test of time. Continue reading
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Sean Wang Strikes Gold with Poignant Coming-of-Age Triumph “Dìdi” (Review)
“Dìdi” is a perfectly preserved time capsule of a movie, executed with the care and precision that imbues it with an instantly authentic feel. Continue reading
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“Kinds of Kindness” is Lanthrimos’ Ode to Desire and Control (Review)
Lanthimos wants his films to get back to what works best about his filmmaking style and language: the acknowledgment that there’s inherent absurdity to the natural depravity behind our desire for control, and to be controlled. Continue reading
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Off the Beaten Path: Martin Brest’s Student Film “Hot Dogs for Gauguin” is a Rare, Explosive Treat
It’s very well put together, but it’s only a hint at the mastery that Brest will come to have over the language of cinema. Continue reading

















































