crime
-
Movie Fantasy League Week 15: Moana and the Celebrity Burn Pass
“Obsession” continued its impressive run, passing “Sinners” to become the highest-grossing original live-action movie of the century. Continue reading
-
Movie Fantasy League Week 9: Win the Backrooms Ballad, Liminally
“Obsession” is now the first non-Christmas release to grow in both its second and third weekends since 1982, when Steven Spielberg released a little ditty called “E.T. the Extra Terrestrial.” Continue reading
-
Movie Fantasy League Week 8: I Love the Mandalorian Passenger
While the highest grosser of the weekend was “The Mandalorian and Grogu,” the big winner was “Obsession,” which jumped up a spot in the domestic box office, added 40 theaters to its roster, and made 40% more than its opening… Continue reading
-
Movie Fantasy League Week 7: Obsessed with the Draft
“Michael” won the box office again in its fourth week, a strong showing after dropping down to #3 last weekend. Continue reading
-
Movie Fantasy League Week 6: Sheep Kombat
“The Devil Wears Prada 2” continues to slay in the top spot, with new releases “Mortal Kombat II,” “The Sheep Detectives,” and Billie Eilish’s tour/concert doc “Hit Me Hard and Soft” trailing close behind. Continue reading
-
Movie Fantasy League Week 5: The Devil Wears Dollars
“The Devil Wears Prada 2” and “Michael” are both formidable opponents and major successes for their respective studios. Continue reading
-
Movie Fantasy League Week 4: A Thriller Weekend
The domestic box office was up over sixty percent this week, and that is almost entirely thanks to “Michael,” the problematic musical biopic that moonwalked to almost $100 million in its first few days alone. Continue reading
-
Movie Fantasy League Week 3: Lee Cronin’s Mummy Mary
This weekend, “The Super Mario Galaxy Movie” continued its rampage across North American theaters, remaining at Number One, though its lead is not quite what it used to be. Continue reading
-
Movie Fantasy League Week 2: Faces of Tuscany Death
This is the first week in which we are taking into account the critical scores, including from aggregate sites like Rotten Tomatoes, Metacritic, Letterboxd, and IMDb. Continue reading
-
Lessons from the Wasteland: Anime
Welcome to class! Each film on this curated watchlist will highlight either a filmmaker, sub-genre, filmmaking technique, or significant topic in order to broaden your cinematic horizons. Continue reading
-
Love and Death (May’s Monthly Horror Recs)
Welcome to the seventh edition of May’s Monthly Horror Recs, where it’s always the time of year for scary movies! Continue reading
-
The 10 Best Films of 2025
Whether it’s the triumphant return of an iconic filmmaker with an indelible masterpiece or the start of a new cinematic movement, 2025 brought us a variety of entertaining features that we’ll be talking about for a long time. Continue reading
-
Lessons from the Wasteland: Steven Spielberg
Welcome to class! Each film on this curated watchlist will highlight either a filmmaker, sub-genre, filmmaking technique, or significant topic in order to broaden your cinematic horizons. Continue reading
-
Lessons from the Wasteland: Early Animation
Welcome to class! Each film on this curated watchlist will highlight either a filmmaker, sub-genre, filmmaking technique, or significant topic in order to broaden your cinematic horizons. Continue reading
-
“Wake Up Dead Man” Keeps the Knives Sharp (Review)
I would be perfectly excited if Rian Johnson made a new “Knives Out” movie every few years for as long as he wants to. Continue reading
-
Luca Guadagnino’s “After the Hunt” Flips the Script (Review)
He’s a filmmaker of many flavors, who obsesses over a number of central concepts in nearly every one of his works – chiefly, desire and passion, including their effects and consequences. “After the Hunt” is no different. Continue reading
-
Paul Thomas Anderson’s Latest is One Banger After Another (Review)
It’s rare to sit down for a movie and realize in real time that you’re watching a masterpiece. You can see the future, and that what you’re witnessing is going to be cherished and discussed for many decades to come.… Continue reading
-
“Eddington” is Something Different for Ari Aster (Review)
Alienation is inevitable in the works of Mr. Aster, whose polarizing subjects are, this time, holding an uncomfortable mirror up to an audience that is undoubtedly unsure of what to expect from his latest venture. Continue reading
-
“Love Hurts,” But It Doesn’t Sting (Review)
“Love Hurts” has a unique earnestness to it, and a confidence that can be off-putting to those not expecting an unapologetically silly movie. Continue reading
-
Wallace & Gromit Return with a “Vengeance Most Fowl” (Review)
This new film is the confluence of the best ideas and imagery this series has offered in its 35 years of history, and to bring back one of their most iconic baddies is just icing on the cake. Continue reading
-
“The Seed of the Sacred Fig” is a Titanic Achievement (Review)
“The Seed of the Sacred Fig” doesn’t exist because the director willed it into being, it exists because it demands to. There is no world in which it doesn’t. Continue reading
-
Clint Eastwood’s “Juror #2” is Failed by the System it Celebrates (Review)
There’s a certain quality to “Juror #2” that I will forever find endearing, and that is its willingness to embrace the inherent excitement of its premise. Continue reading

















































