romance
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“The Gorge” is an Affectionate Genre Machine (Review)
“The Gorge” isn’t just a romance; it’s also a high-concept sci-fi action movie, with some horror (director Scott Derrickson’s specialty) thrown in there for good measure. Continue reading
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“Love Hurts,” But It Doesn’t Sting (Review)
“Love Hurts” has a unique earnestness to it, and a confidence that can be off-putting to those not expecting an unapologetically silly movie. Continue reading
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“A Complete Unknown” Embraces the Enigma (Review)
Mangold’s film, inscrutable as it is, makes the right choices to cement its legacy. Continue reading
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“Anora” is the Fairytale of Your American Dreams (Review)
“Anora” lets us bask in director Sean Baker’s perspective on Americana, its broken dream, and the ever-expanding wealth gap and classism rotting at the country’s core. Continue reading
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“We Live in Time” Has its Heart in the Right Place (Review)
Even with a structure that’s frustratingly inconsistent, the greater frustration is that there are such compelling themes, ideas, and performances that ideally would have been done a bit more justice. Continue reading
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The Sweet, Unconventional Love of “Humanist Vampire Seeking Consenting Suicidal Person” (Review)
Despite the delicious tease of the title, there’s a deliberate play on expectations – instead of a morose meditation on the inevitability of death, “Humanist Vampire” is a black comedy about morality and obligation that asks us to confront the… Continue reading
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Looking Ahead to the 2025 Oscars
Every year, when the Academy Awards are done and over with, the minds of curious cinephiles are always thinking ahead. It will be nearly a year before next year’s ceremony, but it’s never too early to start predicting – especially… Continue reading
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Editor Jonathan Alberts Discusses the Ending and Music of “All of Us Strangers”
In my interview with All of Us Strangers editor Jonathan Alberts, he discussed his process, editorial style, working relationship with writer/director Andrew Haigh, and more. We also discussed the ending of the film, an emotional gut punch that I would… Continue reading



















