Film
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“The Smashing Machine” Crashes Its Way to Mediocrity (Review)
“The Smashing Machine” feels like just the first half of a larger piece of art — and it’s a pretty disappointing first half at that. Continue reading
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“Primate” Goes Apeshit in True Slasher Fashion
With a shocking amount of gore and violence, you can tell just how happy this movie is to exist. Continue reading
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“The Long Walk” Confronts the Unvarnished Truth of Life and Death (Review)
We come to understand that, by premise alone, death for all but one of these boys is inevitable. The question becomes…how will we get there? Continue reading
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“Eddington” is Something Different for Ari Aster (Review)
Alienation is inevitable in the works of Mr. Aster, whose polarizing subjects are, this time, holding an uncomfortable mirror up to an audience that is undoubtedly unsure of what to expect from his latest venture. Continue reading
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“Superman” is Ambitious, but Delightfully Authentic (Review)
There was only one place to start for a brand-new DC universe, and it was their most powerful and inspiring hero. Continue reading
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Danny Boyle Viciously Reinvigorates Franchise Filmmaking with “28 Years Later” (Review)
“28 Years Later” makes a compelling argument for Boyle to be considered one of the most innovative and influential filmmakers of the 21st century. Continue reading
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Five Underseen Horror Films to Watch This June (May’s Monthly Recs)
Welcome to the first-ever edition of May’s Monthly Horror Recs, where it’s always the time of year for scary movies. Continue reading
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Every Mike Flanagan Film Ranked (including “The Life of Chuck”)
Flanagan doesn’t rely on jump scares, but he utilizes them well, and has been able to craft a perfectly eerie and unsettling atmosphere in his seven horror features, as well as a captivating, inspirational ambience in his latest release. Continue reading
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“The Life of Chuck” is an Inspiration for All Time (Review)
Like most of Flanagan’s work, it’s highly evocative, but this time of memory rather than fright. Continue reading
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“Mission: Impossible – The Final Reckoning” is the Sum of Our Choices (Review)
“Mission: Impossible – The Final Reckoning” is both an exercise in patience and an extraordinarily cathartic release. Continue reading
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“Fear Street: Prom Queen” Revives Shadyside For Another Nostalgic Spree (Review)
Come to “Prom Queen” for a much-needed return to Fear Street, stay for the gory delights of the modern horror genre – reverent, but assertive, forging its own path while generously indebted to its predecessors. Continue reading
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“Final Destination Bloodlines” is the Perfect Shot in the Arm
The biggest strength of this brutal return to form is a gleeful willingness to explore new avenues of the central premise, and to deliberately subvert expectations based on the franchise’s established rules. Continue reading
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“The Monkey” is a Terrifically Fatalistic Ode to Death Everlasting (Review)
Perkins’ wry personality shines through in this delightfully demented ode to the inescapable fate awaiting us all…after all, as long as we know it’s coming, there’s more than enough time to laugh about it. Continue reading
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Captain America (and the United States) Enters a “Brave New World” (Review)
“Brave New World” is the 35th film in the MCU, a milestone that explains a lot about its own reception. Continue reading
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“Heart Eyes” Has a Lot to Love (Review)
It doesn’t reinvent the wheel of either genre, but the novel approach to their combination gives a fan of both something new to see. Continue reading
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“The Gorge” is an Affectionate Genre Machine (Review)
“The Gorge” isn’t just a romance; it’s also a high-concept sci-fi action movie, with some horror (director Scott Derrickson’s specialty) thrown in there for good measure. Continue reading
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“Love Hurts,” But It Doesn’t Sting (Review)
“Love Hurts” has a unique earnestness to it, and a confidence that can be off-putting to those not expecting an unapologetically silly movie. Continue reading
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“Companion” is a Darkly Thrilling Genre-Bender (Review)
“Companion” is at its most entertaining when you surrender yourself to the wonderful chaos. Continue reading
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“Wolf Man” Gets Hairy, But Stays Harmless (Review)
If you’re looking for a decent horror flick from one of our more interesting genre filmmakers, you can do far worse than spend an evening in an abandoned farmhouse with the “Wolf Man.” Continue reading
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“A Complete Unknown” Embraces the Enigma (Review)
Mangold’s film, inscrutable as it is, makes the right choices to cement its legacy. Continue reading
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“Nosferatu” is the Visceral Nightmare We Deserve (Review)
As far as I’m concerned, no director has better control over their vision than Robert Eggers. Continue reading
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“The War of the Rohirrim” Bottles the Best of Middle-Earth (Review)
“The War of the Rohirrim” perfectly recreates Tolkien’s fully-realized world in a way we haven’t quite seen before. Continue reading
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“Werewolves” is All Bark and No Bite (Review)
“Werewolves” is not a good movie, but it is a successful one. Continue reading
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Wallace & Gromit Return with a “Vengeance Most Fowl” (Review)
This new film is the confluence of the best ideas and imagery this series has offered in its 35 years of history, and to bring back one of their most iconic baddies is just icing on the cake. Continue reading
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“Moana 2” Struggles with Structure (Review)
One song every quarter of an hour cements what I already knew (and this is the kicker) – I think this would have made a very good series. Continue reading
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The Monumental Journey of “The Brutalist” (Review)
“The Brutalist” speaks beautifully and honestly to America’s betrayal of immigrants and the broken promise of the infamous (some might say mythical) American Dream. Continue reading
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“Wicked” Destroys All Doubt (Review)
“Wicked” is a coin with many faces, and its many morals are what makes it unique; it’s vivacious proof that a musical does not have to acknowledge its lessons directly in the lyrics of its songs. Continue reading
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“Gladiator II” is Too Focused on Legacy (Review)
Ridley Scott’s movies are typically visually and tonally excellent, creating memorable images and sequences, but he doesn’t really elevate material. Continue reading
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“Red One” is Not Bad…It’s Something Much Worse (Review)
It’s a movie designed to live as a Blu-ray in front of the checkout aisle at Target with a 30% off sticker slapped on the case. Continue reading
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“The Seed of the Sacred Fig” is a Titanic Achievement (Review)
“The Seed of the Sacred Fig” doesn’t exist because the director willed it into being, it exists because it demands to. There is no world in which it doesn’t. Continue reading
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“Look Back” on the Beauty of Art and the Everyday (Review)
“Look Back” is a compelling argument for the power of art to transcend space and time and connect with the deepest parts of ourselves. Continue reading

















































