The Latest
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The Monumental Journey of “The Brutalist” (Review)
“The Brutalist” speaks beautifully and honestly to America’s betrayal of immigrants and the broken promise of the infamous (some might say mythical) American Dream. Continue reading
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“Wicked” Destroys All Doubt (Review)
“Wicked” is a coin with many faces, and its many morals are what makes it unique; it’s vivacious proof that a musical does not have to acknowledge its lessons directly in the lyrics of its songs. Continue reading
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“Gladiator II” is Too Focused on Legacy (Review)
Ridley Scott’s movies are typically visually and tonally excellent, creating memorable images and sequences, but he doesn’t really elevate material. Continue reading
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Godzilla vs. Gatsby: A Battle for the Ages? (Review)
And Count Dracula, and Sherlock Holmes, and Jules Verne, and the Time Traveller… Continue reading
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“Red One” is Not Bad…It’s Something Much Worse (Review)
It’s a movie designed to live as a Blu-ray in front of the checkout aisle at Target with a 30% off sticker slapped on the case. Continue reading
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“The Seed of the Sacred Fig” is a Titanic Achievement (Review)
“The Seed of the Sacred Fig” doesn’t exist because the director willed it into being, it exists because it demands to. There is no world in which it doesn’t. Continue reading
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“Look Back” on the Beauty of Art and the Everyday (Review)
“Look Back” is a compelling argument for the power of art to transcend space and time and connect with the deepest parts of ourselves. Continue reading
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“Anora” is the Fairytale of Your American Dreams (Review)
“Anora” lets us bask in director Sean Baker’s perspective on Americana, its broken dream, and the ever-expanding wealth gap and classism rotting at the country’s core. Continue reading
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“Conclave” Confronts Controversy with Grace and Faith (Review)
Controversy and the Church, for better or worse, go hand-in-hand. Continue reading










