The Latest
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“The Seed of the Sacred Fig” is a Titanic Achievement (Review)
“The Seed of the Sacred Fig” doesn’t exist because the director willed it into being, it exists because it demands to. There is no world in which it doesn’t. Continue reading
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“Look Back” on the Beauty of Art and the Everyday (Review)
“Look Back” is a compelling argument for the power of art to transcend space and time and connect with the deepest parts of ourselves. Continue reading
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“Anora” is the Fairytale of Your American Dreams (Review)
“Anora” lets us bask in director Sean Baker’s perspective on Americana, its broken dream, and the ever-expanding wealth gap and classism rotting at the country’s core. Continue reading
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“Conclave” Confronts Controversy with Grace and Faith (Review)
Controversy and the Church, for better or worse, go hand-in-hand. Continue reading
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Clint Eastwood’s “Juror #2” is Failed by the System it Celebrates (Review)
There’s a certain quality to “Juror #2” that I will forever find endearing, and that is its willingness to embrace the inherent excitement of its premise. Continue reading
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“Better Man” Rises Above the Biopic Formula (Review)
It’s abundantly clear that this was a deeply personal film for Robbie Williams. Continue reading
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Steven Soderbergh’s Experimental Horror “Presence” is a Haunting Delight
“Presence” is not a scary movie. It’s actually very sweet, charming, and strangely funny, and horror-averse moviegoers will be relieved at the lack of deliberately jarring jump scares. Continue reading
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“We Live in Time” Has its Heart in the Right Place (Review)
Even with a structure that’s frustratingly inconsistent, the greater frustration is that there are such compelling themes, ideas, and performances that ideally would have been done a bit more justice. Continue reading










